Is DVD movie pricing holding Blu-ray back?

 Blu-ray U.S. disc sales have tripled in the past year, according to The Digital Entertainment Group, but there's a slight problem -- Blu-ray sales are still lower than where film studios would like them to be, and there's no indication that Blu-ray sales will can top DVD sales anytime soon. The studios blame Blu-ray's performance on the economy, and claim that if we were enjoying better economic times, the format's sales would be higher. But there's one person, Bill Mechanic, a film producer and former Fox Filmed Entertainment chief, who believes there's more to this story. "I think it's one part recession, but there are bigger factors," Mechanic told The Wrap in an interview. "That's a misreading of consumer behavior as well as a misreading of the economic environment. It's devalued the libraries." "If you can buy 'Titanic' for $4.99," Mechanic continued, "[consumers will say] 'Well, wait a minute...'" when they consider buying another film on Blu-ray at a substantially higher price. "There's no rhyme or reason of what I see in the market place in terms of pricing," Mechanic said. He has a point. Even on Amazon.com, where Blu-ray movies are usually priced at their cheapest level, there's a major difference between DVD pricing and Blu-ray pricing. In fact, an older film like "Independence Day" is currently being offered on DVD for $14.99 and on Blu-ray for $25.99. A DVD of a new film, "The Dark Knight," is retailing for $14.99 on the site, while its Blu-ray counterpart is going for $23.99. It sure looks like DVD pricing is holding Blu-ray back. There's no debating that Blu-ray is a superior format to DVD. But as Mechanic told The Wrap, studios are expecting consumers to replace their DVD collections with Blu-ray, so they're dropping the prices on DVDs to get every last dime out of the format. All the while, they're doing their best to to keep Blu-ray prices higher to capitalize on what they expect will be high consumer demand for the high-def format. Maybe the plan is starting to backfire. Last week, Viacom released its quarterly earnings and reported that its home entertainment sales dropped 6 percent in the last quarter. Fox Filmed Entertainment DVD sales fell 15 percent last quarter, while Time Warner's Warner Bros. division reported a 24 percent decline in DVD sales over the same period. Those aren't reassuring figures. They also underscore another issue: Blu-ray may not be the savior the film studios are looking for. So far, the market has grown and each week, more Blu-ray films are hitting store shelves. But at some point, the DVD pricing conundrum will need to be addressed. After all, why should I buy the same film on Blu-ray for $24.99 when I can get it on DVD for $14.99? Sure, it's only $10 and I'm getting a superior format, but is the difference so great that it would make me want to switch? Based on my testing with an upconverting DVD player and PlayStation 3 on my 50-inch Panasonic plasma, I'm hard-pressed to pick Blu-ray at such a drastic price difference. Sure, I get better quality, but is it worth $10 to me? Maybe once. But that difference starts piling up quickly and an entire library of Blu-ray films would cost me hundreds more than if I bought them on DVD. That's an issue. Even rentals are more expensive
But it doesn't just end with sales. Rentals are also more expensive. In fact, Redbox, the rental company that puts kiosks in stores around the country and allows customers to rent a film for $1 per day, announced last week that its current Blu-ray pricing model of $1 per day isn't working and it would be forced to raise the price of Blu-ray rentals. The company's executives wouldn't say how much more the company would charge for Blu-ray. Worse, Netflix, which adds a $1 monthly charge to its subscription plans for those who want to add Blu-ray rentals, announced in its earnings call last month that its online streaming service is outpacing Blu-ray rentals. According to Reed Hastings, the company's CEO, Blu-ray subscriptions grew 40 percent since September to about 700,000, but in the same period, "millions" of subscribers have started using the company's streaming offering. Is that a response to convenience or to price? One thing is certain: there is a pricing issue in the space. How much longer can Blu-ray be priced more than $10 higher than DVD before movie studios wake up and realize that the closer Blu-ray is priced to DVDs, the more value consumers will see in the format? Maybe they've already woken up to that reality. Just last week, a report from Josh Dreuth at Blu-ray.com, explained that movie studios have quietly started dropping the prices of Blu-ray discs and some films can be purchased at a price that's within $5 of their DVD counterparts. In fact, Blu-ray versions of "The 40-Year-Old Virgin" and "Iron Man" are currently on sale at Amazon for $14.99 and $18.99, respectively. The DVD versions of "The 40-Year-Old Virgin" is priced at $9.99, while "Iron Man" on DVD is on sale for $17.99. Unfortunately, those two films are more the exception than the norm. Based on my research, there are a select few films that are priced so closely to their DVD counterparts, but I should note that each day, more Blu-ray films are being reduced in price. In fact, Tuesday, I received a list of 55 Blu-ray films from Amazon that it just lowered prices on. Some are priced as low as $14.99. About time
To me, it's all about value. Am I getting more value out of a respective Blu-ray film that I'm paying more for than its DVD alternative? At a $10 difference, the film better be a blockbuster hit with outstanding visuals. If it doesn't have both, I'll choose the DVD. But if the price difference is nominal and rentals are priced just $1 apart, I'll pick Blu-ray every time. Maybe my rationalization is all wrong, but I do put a price on value and so far, Blu-ray pricing is outrageous. The film studios would be right to drop prices quickly and bring them down to a level that's more consistent with DVDs. I realize Blu-ray is a superior format, but let's face it -- it's not so superior that we can justify spending $10 more per film just to have it. Especially with HD streaming looming.
[Via: cnet.com ]

VUDU permanently cuts retail price of movie set-top-box in half


We had a sinking feeling those promotional prices over the holidays wouldn't stick once Santa had done his duties, but rather than ratcheting price tags back up entirely, it has decided to permanently reduce the retail price on its standard VUDU movie set-top-box by half. As of now, prospective buyers can snag a box for $149 (down from $299), while the more capacious VUDU XL is dropping from $999 to $499 (and that'll include a gratis home theater connectivity software package). Also of note, the rack-mountable VUDU XL2 is stooping from $1,299 to $799 for those who prefer that form factor. So, these stickers low enough for you? Or are you really planning to wait 'til Christmas 2009 to score an even more special deal?

[Via: Engadget ]

Some stations still plan early digital-TV transition

Over a quarter of all full-power broadcast TV stations could cut off their analog TV service on or before February 17 even though the official deadline has been extended another four months, according to the Federal Communications Commission.  Already 143 full-power TV stations have terminated broadcasting their analog signal. And another 60 stations have already informed the FCC that they would like to terminate broadcasting in analog before February 17. As of February 2, when acting FCC Chairman Michael Copps sent a letter to Congress urging them to delay the transition, another 276 broadcasters had told the FCC they intended to shut off their analog transmitters on February 17. If all these TV stations go through with their plans, roughly 27 percent of the 1,796 full-power TV broadcasters in the U.S. will be broadcasting only in digital. What does this mean for over-the-air TV viewers? Well, the FCC hopes that it won't disrupt TV viewing much. But for consumers who don't have a digital tuner built into their TV or haven't hooked up a digital converter box to their old TV, it could mean that they'll have fewer TV channels to watch. Earlier this week, the House of Representatives passed a bill that moves the deadline for transitioning TV broadcast from analog to digital from February 17 to June 12. The Senate has also passed a bill pushing the date of the transition back to June 12. President Obama is expected to sign it into law shortly. As part of a compromise to get the bills through Congress, lawmakers added a provision that allows broadcasters to transition to all-digital broadcasts early . The FCC met Thursday to discuss the process for allowing TV broadcasters to move to all-digital broadcasting early. Broadcasters must inform the FCC by 12 a.m. EST on February 10 if they intend to cut off their analog TV signal. And at that time, the FCC will have a better understanding of how many TV stations will actually go to all-digital broadcasts on or before February 17. The agency has said it will likely allow most of these broadcasters that would like to transition to all digital early to do so, but Copps said that the agency reserves the right to deny broadcasters from switching early if it doesn't serve the public interest. Specifically, the FCC will try to make sure that in areas where a large number of people are not ready that there are some TV stations still transmitting analog signals until the June 12 deadline. The agency will also make sure that TV stations that are transitioning early are not interfering with other TV broadcasters, using their old analog channels. TV stations that wish to switch to all-digital transmission on February 17 will have to provide ample notification to the public between now and then, an FCC spokesman said. Copps has encouraged as many TV stations as possible to continue transmitting analog signals until the new deadline of June 12. The nation's largest broadcasters--ABC, CBS, Fox, and NBC/Telemundo--have all agreed that their owned and operated stations would continue to broadcast in analog until the new DTV transition. Stations have been preparing to cut off their analog broadcasts for the February 17 deadline for months. Several TV stations throughout the country have tested switching off their analog transmission to make sure they are prepared as well as to make sure viewers are prepared. TV broadcasters are making the switch to digital to free up valuable wireless spectrum. About 61 percent of all full-power broadcast TV stations are transmitting both analog and digital signals. Leaving the analog signals on until the new deadline of June 12 will cost them more money as they are required to pay for the additional electricity and facility costs of running multiple transmitters. Congress passed the new legislation to delay the deadline because legislators and consumer advocates are concerned that 20 million people--most of whom are poor, elderly, and living in rural parts of the country--are not prepared for the transition; the government ran out of the $40 coupons it was issuing to help defray the cost of the converter boxes necessary to allow older TVs to get digital signals. There have also been reports that many consumers, who have already gotten converter boxes, are not able to connect them properly to their TVs.

[Via: cnet.com ]

Report: Pioneer to exit TV business

Pioneer will no longer manufacture televisions and plans to spin off its DVD player business into a joint venture with Sharp, according to a report in Japan's Nikkei newspaper. The company is reportedly exiting the tv business rather than continue to incur losses in that division. This latest report comes a few months after Pioneer announced it anticipated huge losses at the end of its fiscal year in March and plans to lay off 2,000 workers. Pioneer had built itself into a widely respected maker of plasma televisions, but last March said it would not make the plasma panels anymore because of skyrocketing costs and mounting losses in its TV division. It tapped Panasonic to provide the panels instead, but that deal appears now short-lived. Another clue this was coming: Pioneer showed no specific models of TVs at CES last month. Pioneer is not alone among TV makers losing money. Everyone from Panasonic to Samsung to Sony is facing layoffs and large quarterly losses. Update: Pioneer said it won't comment on the rumor, but released this statement: "We have publicly announced that we are actively evaluating our business. We started announcing changes in March 2008 to increase efficiencies of our business operations. We are still in that process but do not have any further announcements at this time."

[Via: cnet.com ]

Optoma delivers 1080p ThemeScene HD82 projector to the UK


'Tis a shame Optoma's reserving its latest 1080p beamer for the overseas crowd, but we'll set aside our envy for a tick and just join in the across-the-pond-excitement. The ThemeScene HD82 sports a native 1,920 x 1,080 resolution, 1,300 nits of brightness, a 20,000:1 maximum contrast ratio and a DLP engine. Britons will also enjoy a 1.5x zoom, PureMotion / PureShift technologies, twin HDMI ports and a DVI socket to boot. Of course, enjoying that ?2,999 ($4,382) price tag may not be as easy, but it's still comparatively affordable in the grand scheme of things.


[Via: AboutProjectors ]

Why $100 is the perfect Blu-ray player price

 Lite-On might be releasing a $150 Blu-ray player at some point in 2009, recent rumors suggest. There's not much more information available now, but I don't think it seems out of the question to expect Lite-On or another firm like Memorex to release a player for that price sometime during the year. But is $150 the sweet spot for Blu-ray players? For those who want Blu-ray anyway they can have it, that might be perfect. But for others, $150 is still a steep price tag for a device that would conceivably offer less quality than other, more expensive Blu-ray players on the market. And as I consider a $150 Blu-ray player, I find myself in the latter grouping. It's not that a $150 Blu-ray player doesn't appeal to me. But for that price, I'm not getting enough that would make me want to spend the money. For me, the perfect price tag for a Blu-ray player at this juncture, given the economy and the format's shortcomings, is $100. $100 is the ideal price for media players that are trying to gain traction in the market. Until DVD players came down to that price, the format wasn't even close to ubiquity. But in just a few short months after the $100 DVD players started hitting store shelves, I remember finding one in almost every home I visited. It was astounding. My issue with the admittedly low Blu-ray player price of $150 goes far beyond the cash I'd dole out. Blu-ray itself is still a question mark to me. Do I really want to spend $150 on an underwhelming player when the jump from DVD to Blu-ray isn't that great on good players and a high-quality HDTV? I have a PlayStation 3 and Sony Blu-ray player. I've used both to compare the same films on Blu-ray and DVD. I've evaluated them on my Panasonic 50-inch 1080p calibrated HDTV. From The Dark Knight to Eastern Promises, I've found that Blu-ray provides nominally better picture quality. Worse, Blu-ray movies still cost about $30 when they're first released and considering the same film is available for $20 or less on DVD, I don't think I'm the only one wondering why I should pay an extra $10 per film just to have slightly better quality. We also can't forget that DVD is mobile. You can watch a film at home, pop it into your car's DVD player for the kids, and finish watching it when you get to your friend's house. No matter where you go, there's a DVD player waiting for you. The same isn't true for Blu-ray. At this point, adoption rates are too low and player prices are too high to see Blu-ray everywhere we go. Taking all these issues into account, I simply don't see any reason to spend $150 on a low-end Blu-ray player that may or may not provide better quality than my DVD player. When I can buy an upconverting DVD player for $100 or less and purchase a DVD for about $10 less than its Blu-ray counterpart, can I really justify buying a Lite-On Blu-ray player? But if it was priced at $100, I think I'd pick one up. Maybe is a psychological thing, but a $99.99 Blu-ray player is ideal. It's cost-effective in an uncertain economy and it gives me the chance to buy a couple Blu-ray films to go with it for that same $150 price tag. And at $99.99, I know a slew of people that would probably pick one up too. That would make it an even more compelling buy, since I could bring my Blu-ray films to my friends' houses. But just because I would rather buy a Blu-ray player for $100, it doesn't mean that no one likes the idea of buying a player for $150. So let's hear it: what is your ideal price tag? Let us know in the comments and in the poll below.
[Via: cnet.com ]

  • Verizon Hub goes on sale for $1 99 .99 on contract

Why $100 is the perfect Blu-ray player price

 Lite-On might be releasing a $150 Blu-ray player at some point in 2009, recent rumors suggest. There's not much more information available now, but I don't think it seems out of the question to expect Lite-On or another firm like Memorex to release a player for that price sometime during the year. But is $150 the sweet spot for Blu-ray players? For those who want Blu-ray anyway they can have it, that might be perfect. But for others, $150 is still a steep price tag for a device that would conceivably offer less quality than other, more expensive Blu-ray players on the market. And as I consider a $150 Blu-ray player, I find myself in the latter grouping. It's not that a $150 Blu-ray player doesn't appeal to me. But for that price, I'm not getting enough that would make me want to spend the money. For me, the perfect price tag for a Blu-ray player at this juncture, given the economy and the format's shortcomings, is $100. $100 is the ideal price for media players that are trying to gain traction in the market. Until DVD players came down to that price, the format wasn't even close to ubiquity. But in just a few short months after the $100 DVD players started hitting store shelves, I remember finding one in almost every home I visited. It was astounding. My issue with the admittedly low Blu-ray player price of $150 goes far beyond the cash I'd dole out. Blu-ray itself is still a question mark to me. Do I really want to spend $150 on an underwhelming player when the jump from DVD to Blu-ray isn't that great on good players and a high-quality HDTV? I have a PlayStation 3 and Sony Blu-ray player. I've used both to compare the same films on Blu-ray and DVD. I've evaluated them on my Panasonic 50-inch 1080p calibrated HDTV. From The Dark Knight to Eastern Promises, I've found that Blu-ray provides nominally better picture quality. Worse, Blu-ray movies still cost about $30 when they're first released and considering the same film is available for $20 or less on DVD, I don't think I'm the only one wondering why I should pay an extra $10 per film just to have slightly better quality. We also can't forget that DVD is mobile. You can watch a film at home, pop it into your car's DVD player for the kids, and finish watching it when you get to your friend's house. No matter where you go, there's a DVD player waiting for you. The same isn't true for Blu-ray. At this point, adoption rates are too low and player prices are too high to see Blu-ray everywhere we go. Taking all these issues into account, I simply don't see any reason to spend $150 on a low-end Blu-ray player that may or may not provide better quality than my DVD player. When I can buy an upconverting DVD player for $100 or less and purchase a DVD for about $10 less than its Blu-ray counterpart, can I really justify buying a Lite-On Blu-ray player? But if it was priced at $100, I think I'd pick one up. Maybe is a psychological thing, but a $99.99 Blu-ray player is ideal. It's cost-effective in an uncertain economy and it gives me the chance to buy a couple Blu-ray films to go with it for that same $150 price tag. And at $99.99, I know a slew of people that would probably pick one up too. That would make it an even more compelling buy, since I could bring my Blu-ray films to my friends' houses. But just because I would rather buy a Blu-ray player for $100, it doesn't mean that no one likes the idea of buying a player for $150. So let's hear it: what is your ideal price tag? Let us know in the comments and in the poll below.
[Via: cnet.com ]

  • Verizon Hub goes on sale for $1 99 .99 on contract

Congress approves delay of digital-TV transition

With less than two weeks left before the scheduled national transition to digital broadcasting, Congress on Wednesday approved a delay of the DTV switchover. The House of Representatives voted 264 to 158 to push the transition back from February 17 to June 12. The Senate unanimously approved the delay last week. House Republicans blocked an earlier attempt at delaying the transition, saying pushing back the date would create confusion for consumers and burden television stations that would have to continue broadcasting both analog and digital signals. The initial vote on the measure required a two-thirds majority to pass under "fast-track" rules, but Wednesday's House vote required only a simple majority. The bill now awaits the president's signature. Democrats, including President Obama, were concerned that consumers were not prepared for the transition and that millions of people would be left without television service if it were not postponed. Nielsen reports that more than 6.5 million U.S. households are still not prepared for the transition. Furthermore, millions of consumers are still waiting for coupons for digital converter boxes from the National Telecommunications and Information Administration, which ran through the $1.3 billion allocated for the coupons. A Senate panel on Tuesday approved an additional $650 million for the coupon program as part of its so-called stimulus package. "It is unfortunate that Congress had to take additional action on this issue, but the prospect of leaving millions of consumers in the dark was simply unacceptable," Rep. Ed Markey (D-Mass.), a senior member of a congressional Internet panel, said in a statement after Wednesday's vote. "This was a foreseeable problem and should have been anticipated and acknowledged by the Bush administration long ago. However, the Bush administration simply left us with insufficient time to make the needed adjustments on a national basis without this short, one-time delay." The bill allows television stations to switch from analog to digital signals before the June 12 deadline if they are ready to do so. The vacated analog spectrum will be allocated to public safety services. "I know we will do all that we can to minimize the inevitable disruption and confusion this transition will cause," said Federal Communications Commissioner Robert McDowell. "In the meantime, if you need a converter box, get it today and hook it up today and start enjoying the benefits of digital television today."

[Via: cnet.com ]

Congress approves delay of digital-TV transition

With less than two weeks left before the scheduled national transition to digital broadcasting, Congress on Wednesday approved a delay of the DTV switchover. The House of Representatives voted 264 to 158 to push the transition back from February 17 to June 12. The Senate unanimously approved the delay last week. House Republicans blocked an earlier attempt at delaying the transition, saying pushing back the date would create confusion for consumers and burden television stations that would have to continue broadcasting both analog and digital signals. The initial vote on the measure required a two-thirds majority to pass under "fast-track" rules, but Wednesday's House vote required only a simple majority. The bill now awaits the president's signature. Democrats, including President Obama, were concerned that consumers were not prepared for the transition and that millions of people would be left without television service if it were not postponed. Nielsen reports that more than 6.5 million U.S. households are still not prepared for the transition. Furthermore, millions of consumers are still waiting for coupons for digital converter boxes from the National Telecommunications and Information Administration, which ran through the $1.3 billion allocated for the coupons. A Senate panel on Tuesday approved an additional $650 million for the coupon program as part of its so-called stimulus package. "It is unfortunate that Congress had to take additional action on this issue, but the prospect of leaving millions of consumers in the dark was simply unacceptable," Rep. Ed Markey (D-Mass.), a senior member of a congressional Internet panel, said in a statement after Wednesday's vote. "This was a foreseeable problem and should have been anticipated and acknowledged by the Bush administration long ago. However, the Bush administration simply left us with insufficient time to make the needed adjustments on a national basis without this short, one-time delay." The bill allows television stations to switch from analog to digital signals before the June 12 deadline if they are ready to do so. The vacated analog spectrum will be allocated to public safety services. "I know we will do all that we can to minimize the inevitable disruption and confusion this transition will cause," said Federal Communications Commissioner Robert McDowell. "In the meantime, if you need a converter box, get it today and hook it up today and start enjoying the benefits of digital television today."

[Via: cnet.com ]

HD NVD is China's home grown answer to Blu-ray, but does it have a chance?


It's Monday, which apparently means time for yet another Blu-ray fighting Chinese high definition disc format, this time NVD. With China Blue hd barely out the door and EVD conspicuous only in its absence, hd NVD players apparently went on sale today in Wuhan, featuring 12GB of storage on a red laser disc format that -- unlike the Toshiba technology backed CBHD / HD DVD variant -- is not only Made in China, but Created in China, with the hope that owning their own IP can net 4-5 times the profit for its manufacturers. 80% of the world's DVDs and players are reportedly produced in China, so now production lines can switch to NVD HD cheaply -- stop us if you've heard this before. It's clear that these companies are chafing under the royalties of foreign tech, but until we hear something about content support in any major way, it's hard to believe this format war is even worth fighting. Us? We're still holding out for VCDHD.


[Via: Engadget ]

Digital distribution not expected to rule packaged media anytime soon


Whoa, vaquero -- calm your jets. This is just a projection, which may or may not prove to be indicative of reality. That said, there's still quite a lot here to discuss, particularly since we've been hearing so much hubbub over the supposed explosion of digital distribution. Media Control GfK International has forecast that sales of Blu-ray Discs will increase some 150 percent to $2.9 billion, up from $1.1 billion in 2008. For those keeping count, digital distribution only generated $1.5 billion last year, and that's including every penny made from VOD and broadband services. In-Stat analyst Michael Paxton was quoted as saying that the "bandwidth required to stream any type of HD video is way beyond what most households have," and he continued by noting that the "convenience factor is still not there for streaming media." You owe it to yourself to hit up the read link for the full report before blasting your opinion in comments below, but we suppose we can't stop you either way.

[Via: Engadget ]

Philips' 56-inch Cinema 21:9 HDTV: not for Americans


Oh, bollocks! If one particular spokesman who opened up to ZDnet today is accurate, Philips' totally sweet 56-inch Cinema 21:9 hdtv won't ever be sold on American soil. Quite frankly, we're wondering what's up with Philips and its apparent disdain for the US market. It farmed out its Blu-ray / DVD and TV operations in North America to Funai, it didn't even bother showing up in Vegas for CES, and anything even remotely swank that it produces seems to be reserved for those overseas. What happened to the worldwide love, Philips? Did someone give you the impression that Yanks wouldn't buy one of these completely mesmerizing new panels? Sigh.


[Via: Engadget ]

DISH Network's DTVPal DVR unboxed and previewed


For the longest while, we couldn't figure out who let the standalone HD DVR die. To this day, we're still scrambling to find an answer, but thankfully DISH network has stepped in to revive the niche while the search continues. The outfit's DTVPal DVR has been circulating for almost a century now (okay, just a year and change, but there's hardly a difference in the grand scheme of things), and Mr. Dave Zatz has done us the honors of unboxing one and setting it up. The unit actually doubles as a dtv converter box and an HD DVR, and Zatz found setup to be almost too painless. Everything seemed to be humming along just fine at last check, so feel free and have a look at the gallery in the read link below before pulling the trigger.

[Via: Engadget ]

Kodak's Theatre HD Player with gyro-based Pointer Remote unboxed and reviewed


We've been playing around with Kodak's new Theatre HD Player for the past few days, and our feelings are mixed. Kodak is doing a lot of interesting and innovative things here, especially with the gyroscopic Pointer Remote it has included for interfacing with the box, but we're not convinced this thing is polished or helpful enough to justify the $299 asking price. Check out our full impressions after the break.
Hardware

This is where Kodak really shines. The box is small, sexy, and ridiculously easy to set up -- with your choice of component or HDMI in the back, optical or RCA audio, and not even a silly "power button" to mess with.

But, of course, most of these set-top boxes are pretty simple. What really gets us is the gyro-based "Pointer Remote" (Update: built by Hillcrest Labs, thanks macclient!). To say the thing Just Works is an understatement, we really never expected to have a wireless (RF, no line of sight required), surfaceless mousing experience this effortless. There's no need to sync the mouse to the box, you just pop in the batteries and go. There's no calibration needed either, you pretty much just bend your wrist in the way you think you ought to, and the cursor goes exactly where you want it to go -- if it gets off track a bit of jiggling, leaning it to one side, or clicking the "hide cursor" button makes everything right again.

You would think the Wiimote, with its sensor bar-based frame of reference would be better at operating an onscreen pointer, but the Power Remote blows it away -- we were able to type on the onscreen keyboard at about two or three times the speed with the Pointer Remote, pretty dang great for what at the end of the day is a fairly basic set-top box.
There's Ethernet and WiFi, and we went with the latter, which hooked up without a problem, though Kodak recommends you go the wired route for serious usage -- we're rebels like that.
Software

Kodak has a lot of really good and interesting (and attractive) stuff on the software side, but unfortunately they don't seem to have quite sealed the deal -- there are enough annoyances, hang-ups and missing features to make the box, which at the end of the day is built to turn your TV into a glorified digital picture frame, hard to recommend at its $299 pricepoint.
Set-up is a breeze, with desktop side Kodak EasyShare digital display software (also used to manage Kodak wireless picture frames) that automagically seeks out media. Unfortunately it's rather indiscriminate. For instance, it was happy to tell the Theatre HD box all about our iTunes Movie Store purchases, which the box failed miserably at playing -- after taking ages to load, buffer and then actually play a black screen with occasional "glitchy" noises. Also, it builds previews for certain file types, but not for others -- it's a bit of a crap shoot. Overall we'd say we're very pleased with how easy it is to track down our computer's media, but at the end of the day the software and / or the set-top box need to do a better job of making sense of all that data.
(Codec support is super extensive, other than the aforementioned lack of iTunes Movies and a failure to track down our Zune tracks. Most everything else on our hard drive played without a hitch, including full HD 1080p 30fps video).

Online set-up is similarly easy, but with better results: we put in our YouTube and Flickr logins and we were looking at our respective contacts and subscriptions in no time, and they seem to be logically presented. Flickr surfing was much more responsive than YouTube, however, which seemed to have trouble buffering videos and even just pulling up various menus and pages. The interfaces for both are super slick, but we're not sure where the speed bottleneck is coming from.
There's also what we would call "non-native" support for a myriad of services like Facebook, RSS feeds and Weather through Kodak's FrameChannel partnership. FrameChannel works with lazy photoframe manufacturers to package RSS feeds and the like as images that can then be streamed to the device, complete with oversized and incredibly annoying advertisements. Given the fact that coding an RSS app is practically a "Hello World" exercise these days, it's extremely disappointing that Kodak didn't do that itself.



Actually using all this stuff in the living room, Pointer Remote in hand, is a combination of incredible intuitiveness and occasional frustration. Kodak has a fairly simple menu structure, with a lot of sub categories underneath, and persistent shortcuts to music, help, settings and home. The animations to drill through the menus are smooth, but every action seems to bring with it a slightly annoying delay -- you can't blaze through anything. The good news is that you never feel like you're thumbing through an unending list of options, thanks to the quick, precise pointer movements and the familiar scroll wheel. The back button on the Remote quickly gets us out of our rabbit trails, but we still found the deep folder structures a bit overwhelming at times. The player also had a nasty habit of not showing a picture on the first try. We'd click a pic, get a buffering icon, and then get blackness. We had to back out and click again before we actually saw the image -- this happened both online and on locally-stored images.
The most basic functionality of the box -- popping in a memory card, skimming through the pictures, and building slideshows out of it -- works as effortlessly as you would think, but unfortunately the only online upload option the entire device offers is Kodak Gallery. Newsflash: we don't use Kodak Gallery, and we don't know anyone that does. We're sure that these strange creatures exist, but until they represent a majority of the population, we'd really appreciate being able to upload content to Flickr, YouTube, Facebook and so forth.
Wrap-up
We'd say the main problem here is that Kodak hasn't quite managed to make a product easy enough to use that we could recommend to the people who would actually get the most use out of it: our parents. There were enough breaks in the usability and layers of complication to make it too frustrating to the basic user -- for instance, the box found our PC automatically, but once that PC feel asleep and was reawoken, Theatre HD couldn't find the PC's content until we manually re-added it in the settings menu. On the flip side, there's not enough power or capability here to appeal to the power user -- especially with devices like media extenders and the Xbox 360, PlayStation 3 and Wii offering most of these features (or more) for less cost. Add in some Netflix, Flickr and YouTube uploads and patch up some of these usability problems and then maybe we'll talk.
The good news is that Kodak has a wonderful box and a wonderful input mechanism on its hands, and if it's willing to put in the work and capital to build a truly great piece of 2.0 software for it, we might have something here that's worth the $299 asking price. Oh, and let use the Pointer Remote with our computers... pretty please?

[Via: Engadget ]

Digital TV transition postponement all but certain


We're actually having a hard time believing this ourselves, but word on the street has it that the Senate is "on the verge of passing a bill that would delay until June the date when tv stations must broadcast in all-digital format." Without Congressional action, all tv stations will switch off their analog signals on February 17th -- a date that has been blasted out to the general populace for years now. The issue is that millions of Americans are currently on a waiting list for one of those $40 vouchers, and evidently it'll take a few more months to get additional funding and clear the backlog. It's expected that the new switchover date will soon become June 12th, and you can find all the fine print just down there in the read link.

[Via: TVWeek ]

Sony to shutter Japanese TV plant as part of restructuring efforts


Hey sony -- we know that experiencing your first annual operating loss in 14 years calls for drastic measures, but this is bordering on downright rash. Barely a month after announcing that 16,000 employees would be axed, sony has now revealed plans to close one of its two television plants in Japan and rid itself of 2,000 domestic full-time jobs as it attempts to "revive its electronics business." Of note, it's stated that those 2,000 -- which seem to be a part of the previously mentioned 16,000 figure -- will be shed via "early retirement and other programs." Just think what a 40-inch XEL-1 would do for business. No, seriously Sony, just think.

[Via: Engadget ]

Sony boosts capacity of its mountable, high-def, BRX-series DVRs


Those used to recording dozens of hours worth of SD video on DVRs with just a few gigs of storage often have a bit of a surprise when they move into the hd realm; a couple episodes of Pushing Daisies and Lost leave no room for any other prime-time drama. While not matching TiVo's capacious 1TB hd XL, Sony is doing its part with a larger, 320GB version of its BRAVIA BRX-series DVR, the BRX-320. It can tackle about 90 hours of HD content yet is small and light enough to be mountable directly on the back of many Sony displays. No word on what price tag will be affixed when this releases in about a month, but the 250GB model is going for about $300, so you can make your own guesses. Oh, and since that earlier version hasn't made it to US shores yet, don't hold your breath on this one.

[Via: AV Watch ]

Sling Media loses most of its top brass

Sling media announced today that they've lost their top executives, including co-founders (and brothers) Blake and Jason Krikorian, CEO and SVP of business development respectively. Also on the way out is Jason Hirschhorn and Ben White, president and Cheif Creative Officer of Sling Media Entertainment Group, and Greg Wilkes the VP of sales. paidContent spoke with the effervescent Blake Krikorian, who said, "I'm out of there now. I want to just cut it ... it's best just to get it done because it's not easy." So much for being stoked about that EchoStar acquisition, huh?
[Via: Engadget ]

SIM2 aims high with $58,000 Grand Cinema HT5000E DLP projector


SIM2 never fails to stun, and it's proving yet again that it couldn't care less about the global economic situation (or that it just aims at a class of people that are simply unaffected) with the Grand Cinema HT5000E. Said device was actually outed yesterday courtesy of an HDGiants pair-up, but today we're being gifted with the official details. The three-chip DLP beamer includes a trio of 0.95-inch DarkChip4 DMDs, a 1,920 x 1,080 native resolution, six lens options, Ethernet jack for remote control and world-class color uniformity / edge-to-edge focus capabilities. Yeah, it'll cost you more than most vehicles and even some diminutive homes at $57,995, but at least the white glove delivery service is included. A true bargain, let us tell you. Full release is after the break.
SIM2 Delivers the Next Evolution of Its Flagship Projector
CES 2009, Las Vegas, Nevada-January 9, 2009-SIM2, the Italian manufacturer whose striking high-performance projectors are known worldwide for their pristine video quality, has been involved in making high definition projectors since the introduction of the original analog HDMAC format called EUREKA 95 in 1990. Now SIM2 is proud to introduce the next evolution of its flagship Grand Cinema HT5000E, an ultra-high end, high light output projector, designed for the screening rooms of the most discerning home theater enthusiasts.
Three-chip DLP® is considered the pinnacle of digital projection and it is this technology which forms the basis of the HT5000E. This cinema 'statement' product uses the very latest DLP® chipsets from Texas Instruments to create the last word in picture quality from HDTV sources. Three 0.95" DarkChip4™ DMDs (Digital Micro-mirror Device) are utilized in this design to generate a picture resolution of 1920 x 1080 pixels (1080p) creating crystal-clear, uncompressed HDTV images.
SIM2 recognizes that purchasing an ultra-high end product such as the HT5000E should be accompanied by ultra-high end service, which is why the company offers VIP 'white glove' service to every HT5000E customer. Within two weeks of the projector's installation, the dealer will coordinate a site visit from a SIM2 technician, who will certify the installation and make any final technical adjustments as required to calibrate the projector precisely to the customer's own system requirements.
"The HT5000E is a true state-of-the-art product. We feel that it is absolutely necessary that every owner feels secure in the knowledge that they have not only purchased the best product, but that the performance has been personally certified for each particular application. This personal service truly separates SIM2 from the competition." said Charlie Boornazian, SIM2 USA's Vice President of Sales and Marketing. "This attention to detail is unmatched in the industry, consolidating SIM2's position as the leader in large screen high quality home theater projection."
The finest quality precision glass optics are used throughout the light engine of the HT5000E. The clarity, color-uniformity and edge-to-edge focus capabilities of these specialized optical components are vital to the process of producing the breathtaking on-screen images. SIM2 offers six high quality lens options that make the HT5000E suitable for almost any home theater installation.
The HT5000E delivers reference performance, design and flexibility of installation. A dedicated 10/100 Mbit Ethernet connector is fitted as standard, allowing the product to be connected to a LAN network or to the Internet. This network connection can be used to remotely control the projector using TCP/IP commands or to feedback projector operating status information such as: serial number, working hours and firmware version to a designated e-mail address for assessment.
Grand Cinema HT5000E - the epitome of power and precision.
SIM2 will showcase the HT5000E as part of 'The SIM2 Experience' in suite 2910 LV Hilton during the 2009 CES Show in Last Vegas, Nevada.
HT5000E will be available in January 2009 for a suggested retail price of $57,995.00
Covering virtually any throw distance, the lens options range from short-throw wide-angle (0.67:1) through to long-throw (4.16-6.96:1). MSRP for lenses: $7,995.00
About SIM2 USA Inc. and SIM2 Multimedia
Since their entrance into the US home theater market in 1999, SIM2 USA, under the guidance of its parent SIM2 Multimedia (established in 1995), has dedicated its resources to marketing and servicing products that meet the demands of the US market. SIM2 Multimedia is a worldwide leading manufacturer of home theater products and leading provider of high-end performance large screen systems (for control rooms, information, communication, and simulation) and professional projection systems for E-cinema applications. Over the years, SIM2 has gained a reputation for meeting the industry's demands for new, emerging technologies, offering high-quality and reliable products that meet the customer's need in any application. Products are designed and manufactured in Italy. The marketing policies of the company are world-oriented, with a direct presence in Italy (headquarters), the USA, UK, China, Germany (sister companies), and in over 60 countries worldwide through partnerships with qualified distributors.
[Via: Engadget ]

Canon unveils REALiS SX800 LCoS projector with 3,000 lumens


Canon's REALiS SX800 LCoS projector may not have the highest resolution in the world -- it's stuck at SXGA+ (1,400 x 1,050), for those wondering -- but it sure is bright. Designed to light up board and / or living rooms with ambient light seeping in, the projector features a 3,000 lumens display and a contrast ratio of 900:1. It's also housing next-generation 0.55-inch LCoS reflective LCD panels, a Canon 1.5x zoom, Auto Input Signal, 2:3 pull down and an 11-pound chassis. If that's right down your alley, it'll be available this month for $2,499.
[Via: AboutProjectors ]

Sony brings two DVDirect Handycam-to-DVD writers to the US


While it's certainly not the most invigorating release from sony today, those stuck with too much video on their Handycams will be head over heels. The firm is expanding its DVDirect line by two, and while one of 'em (the VRD-MC10) has been released in Japan previously, this marks the first time it'll ship to American consumers. Said unit incorporates HDMI, component and composite inputs, and features the ability to transfer AVCHD-quality video to DVD; it also includes an i.LINK (FireWire 400) port as well as a USB socket for use with a wider range of devices. Moreover, the MC10 touts a 5-in-1 multicard reader for taking flash-based media straight to DVD, and the 2.7-inch LCD is just fine for previewing things beforehand. The DVDirect Express VRD-P1 DVD writer is tailor made to work quickly and easily with some of Sony's newly announced camcorders, and the lack of advanced functionality means it'll only run $150 (compared to the $300 stick on the MC10) when it ships in March.
[Via: engadget ]

Sony bites the bullet, releases Made for iPod music systems


Sony, the debatable kind of proprietary formats, has finally caved. Well, at least in this one instance, anyway. In a presumed confession that Apple's music players actually are somewhat popular, it is releasing the ipod / iPhone-friendly CMT- LX20i micro shelf system, CMT- LX20i clock radio and MHC-EC99i mini boombox (pictured above). Not a whole lot left to say other than they also play CDs, tell time and rattle windows, respectively. For pricing and release details -- including a word or two on the new Muteki systems -- hit up the read link.
[Via: Engadget ]

Samsung to launch 1.5-inch thin Blu-ray player at CES

We don't have any hard details yet, but word on the street is that samsung is planning on pairing up its 6.5mm (.2-inch) thick LCD HDTV with an equally svelte Blu-ray deck just 39mm (1.5 inches) thick. We'll find out more during Wednesday's press event, we're sure -- any bets on whether "thin BD players" will be this year's "thin displays?"
[Via: engadget ]

  • JVC 5kg 32-inch LCD to be the lightest, greenest at ces ?

Nextar hops on the bandwagon with Z10 LCoS micro projector


Just in case counting every last pico projector on or coming to the market was too easy for you, Nextar's hoping to boggle your hippocampus by adding one more to the furiously growing list. The outfit's LCoS-based Z10 is being launched alongside the equally portable PS-001 20-inch screen, and it'll check in weighing under 2.5-pounds and boasting a 640 x 480 resolution. As for additional specifications, you're looking at a brightness level between 7 and 12 lumens, a 360-degree lens shift capability with manual adjust and a 4:3 aspect ratio. To its credit, it will accept a litany of file formats and can be fed data via microSD / TF cards, a USB port and L/R audio ports. Both products are slated to hit retailers in the Spring for $299.99 and $39.99 in order of mention, and you can catch two more looks and the full release just after the break.

Nextar Projects Big Image with New Micro Projector and Screen
Affordable Duo Puts Professional Quality Presentations into the Hands of Scores More;
Items to Be Featured at 2009 CES along with Other Advanced Nextar Products
La Verne, CA – Jan 5, 2009 – Nextar™, a designer and marketer of bold and new consumer electronic products with mass appeal, is ready to introduce a LCOS micro projector (Z10), that is small enough to fit in the palm of a hand, and a 20" (diagonal) screen (PS-001). The duo makes it easier and more economical for more people to make quality, professional presentations. Nextar will feature the units at the upcoming 2009 CES in booth South 3 31753.
"With AC/DC operation, the new Nextar micro projector and screen weigh in with a combined weight of under 2.5 pounds and can be used virtually anywhere," said Eddy Zheng, Nextar founder. "They are perfect for small classroom instruction, projecting images at social functions, or in meeting applications – any of which can be indoors or out. With a combined SRP of under $350, they are very economically priced and will fit practically any budget."
The Nextar Z10 LCOS (liquid crystal on silicon) front-projecting micro projector will display images with a resolution up to 640x480. LCOS technology produces much higher resolution images than many other technologies. The unit has a brightness level of between 7 and 12 lumens, a 360-degree lens shift capability with manual adjust, and displays images in 4:3 aspect ratio format.
This fit-in-the-hand projector uses an LED light source with a life expectancy of 30,000 hours. It accepts Micro SD cards and comes equipped with a built-in speaker. Projected image size is up to 20".
I/O connectors include Micro SD, TF card, L/R audio, USB, and ear jack. Video compatibility is provided for AVI, MPEG1, MPEG2, MPEG4, RM/RMVB, ASF, FLV, and WMV9/VC1. Audio compatibility includes MP3, WMA, WAV, AAC, APE, ALAC, and MPEG1/2/2.5. Picture compatibility is for images in BMP, JPEG, or GIF formats.
Other features include MP4 functionality, software support for English, Spanish, French, German, and Italian, and either AC or DC low-power-consumption operation. A mini-tripod stand is included to provide stable projecting.
Provided accessories are: AC power adaptor, battery, audio cable, S-video and USB cables. It meets FCC and UL approval.
The ultra-lightweight PS-001 screen is easy-to-set up and measures 20" diagonally.

The palm-size Nextar Z10 projector measures 4.13" x 2.32" x 1.0" and weighs approximately one pound. The PS-001 screen measures 18.89" x 1.57" x 15.7" opened and 18.9" x 1.57" x 1.2" folded. It weighs approximately 1.3 pounds.
Pricing and Availability
The two new Nextar presentation units will be available in Spring 2009 at leading retailers across the country. The Z10 micro projector has an SRP of $299.99, The PS-001 portable screen has an SRP of $39.99.
[Via: Engadget ]

LG previews two new UK-bound LCDs


Stuff.tv has the heads up on two more members of LG's 2009 lineup, the LH5000 and LF7700. The LF7700 lcd should fit the bill for anyone needing an alternative to Panasonic's TX-37LZD81, with integrated FreeSat support, while a plasma version will follow later in the year. If 100Hz isn't enough and 480Hz is too much, the LH5000 drops 200Hz TruMotion tech on European heads later this year. No price or size info for either, but hopefully all this new kit will slightly make up for a Netflix-less existence suffered by our people across the Atlantic.
[Via: Engadget ]

  • lg 's super slim LED backlit LCD packing wireless HD, DivX HD

JVC 5kg 32-inch LCD to be the lightest, greenest at CES?


While Samsung's latest may be slightly narrower, JVC swears its ces prototype will be the lightest 32-inch LCD out, weighing a mere 5kg its perfect for ceiling mounted installations. At 7mm thick they've managed to squeeze 1080p resolution and LED backlighting out of 50% of the materials and less mercury used to produce current designs. A hands on should settle the battle of the thin, expect iPhone comparison pics and contentious weigh ins usually reserved for heavyweight bouts this week in Las Vegas.
[Via: AV Watch ]

LG to release first HDTVs that instantly stream movies from Netflix


It was really only a matter of time, but instant streaming from Netflix is finally getting piped straight to the tele. Until now, users needed an HTPC or a set-top-box / movie player that supported Watch Instantly, but we've received word that LG will debut the world's first Netflix-enabled HDTVs this Spring. Details are pretty light, but we're told that both plasma and lcd models will be unleashed; unfortunately, it's not entirely clear if HD Netflix will be included and if the sets will / won't be WiFi-enabled. Keep it locked here for anything more, we get the feeling we haven't heard the last about these beauties.
[Via: Engadget ]

Latest CE Pro Magazine reveals the ZeeVee ZvPro


Well looky here, the wonders that is print media isn't useless just yet -- thanks to very long lead times and an ambitious postal worker, the latest edition of CE Pro Magazine reveals the evidently soon to be announced ZvPro. The ad doesn't offer up enough details for us, but it does look like some of our biggest gripes about the original ZeVee box are addressed. For example, now we have component and Toslink input as well as RS-232 control and an IR port -- no indication if that is an input or an output. The rack mountable device is obviously geared towards the prosumer so it isn't too much of a stretch to assume this little baby will demand a premium price -- if we were the betting type, we'd have our money on over $800. But even at that price, we're sure this box will find at least a few homes as there are plenty of people trying to figure out how to send HD over the existing coax in their home without mounting a STB on the wall below the
[Via: Engadget ]

Toshiba introducing SD-friendly players for flash card movies that no one buys


We hate to harsh on Toshiba here, we honestly do, but what in the world is it thinking? As if its clearly unimpressive Super Resolution Technology wasn't embarrassing enough, we're now hearing that the outfit is expected to release a line of prototype players at ces next week that tout sd card slots. Why, you ask? To accept the flash card movies that -- you guessed it -- no one on the entire planet is interested in. Okay, so maybe a handful of people (you know, the same characters who thought slotMusic was a solid idea) will buy in, but seriously, this has failure written all over it. The move comes hot on the heels of a Toshiba / Mod Systems tie-up to establish kiosks that sell films on SD cards, though we're still curious as to whether these SD card players will be of the standalone variety or integrated into upscaling DVD decks. We'll keep an open mind 'til we see the final product(s) at CES, but it'll take a belated Christmas miracle for this to be even halfway awesome.
[Via: Video Business ]

ezGear gets in the Blu-ray game with the BluCobra Blu-ray Disc Player


If you were hoping that another no-name company would release a $400 Blu-ray player, then today is your lucky day as ezGear is very proud to share the details of its BluCobra Blu-ray Disc Player. The BluCobra -- love the name btw -- features 7.1 analog outputs, SACD, TrueHD, DTS-HD HR&MA and the cutting edge profile 1.1, otherwise known as Bonus View. Luckily Sony, Samsung, and Panasonic can rest easy until at least March when this beast is scheduled hits the streets. Oh, and just a little prediction, no way the BluCobra will sell for its MSRP.
[Via: Engadget ]

  • samsung 's CES 2009 HDTV lineup leaked?

Sonoro Eklipse iPod / CD sound system hits the FCC


Sonoro's Eklipse iPod / CD sound system has been available in Europe for a few months now, but it hasn't exactly made much of a ripple 'round these parts. That looks like it could well be changing, however, as the device has just recently landed in the hands of the folks at the FCC, who unsurprisingly seem to be particularly interested in the system's remote control. As for the rest of the system, you can expect to get an always welcome OLED display, along with 7.5W of power output, a headset jack, a standard 3.5mm input to accomodate your non-iPod devices, and support for MP3 and WMA-loaded CDs in addition to plain old audio CDs. Of course, an FCC appearance doesn't always assure a US release, but if there is one, you can probably expect to pay about the same €499 (or $690) that it currently demands in Europe.
[Via: Engadget ]